Labor Day Special with the Folk-playing Firestarter: Bryan McPherson
California has a way of pulling people to grow into their best selves even when the reality here hits the pavement. Bryan McPherson, a fiery and folk-playing Dorchester native was called west in July of 2010 and set to work on themes of conscience and injustice that the Occupy movement would soon make national. McPherson's sound is a blend of harmonica, acoustic guitar and lyrics
that are full of heart, like a Bright Eyes or Ryan Adams on a social justice rampage.
At times he's a more aggressive, amplified version of Woody Guthrie or
Bob Dylan or Tracy Chapman, although the occasional quiet ballad like Lonely Streets provides a nice counterpoint to his usual marching orders. Mad as hell is one way to describe his music as he contours all the interconnected way in which we
Americans are losing our liberties. There must be some serious fire in his chart, a red-hot theme that bubbled continuously through our recent conversation.
I first heard Bryan play in the winter of 2009 at a fundraiser supporting local artists and remember being both touched and wowed and knowing that he was going to blow up someday. In 2007 he had written and recorded his debut album, Fourteen Stories, a pained and bittersweet homage to his hometown of Boston, Massachusetts. His just-released sophomore work, American Boy, American Girl, has a bit more edge and was written and (nearly fully) produced in the Bay Area. This latest work is a fierce example of his proletariat brand of new-folk music that provided the soundtrack for Oakland's Occupy event where Bryan played several times. But don't ever mistake him for an Occupy musician as we aptly discussed on Labor Day.
American Boy, American Girl is an angry and political album and I'm wondering how that squares with (what I perceive as) the relatively peaceful nature of the Bay Area. Was this inspired by the city of Berkeley? Furthermore, did the Occupy movement give you some juice in your songwriting?
I first heard Bryan play in the winter of 2009 at a fundraiser supporting local artists and remember being both touched and wowed and knowing that he was going to blow up someday. In 2007 he had written and recorded his debut album, Fourteen Stories, a pained and bittersweet homage to his hometown of Boston, Massachusetts. His just-released sophomore work, American Boy, American Girl, has a bit more edge and was written and (nearly fully) produced in the Bay Area. This latest work is a fierce example of his proletariat brand of new-folk music that provided the soundtrack for Oakland's Occupy event where Bryan played several times. But don't ever mistake him for an Occupy musician as we aptly discussed on Labor Day.
American Boy, American Girl is an angry and political album and I'm wondering how that squares with (what I perceive as) the relatively peaceful nature of the Bay Area. Was this inspired by the city of Berkeley? Furthermore, did the Occupy movement give you some juice in your songwriting?
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